Hamlet Soliloquy Essay Introduction
Hamlet often tells the people around him, notably his mother, that she does not know the true "Hamlet," and he does this during their numerous interactions. He implies to Rosencrantz and Guildenstern that they are incapable of understanding what it is that he is aware of. This facet of him causes him to engage in a great deal of soliloquy, which reveals his diverse cast of personas. Only Hamlet's soliloquies are used for the analysis in this study; the focus is completely on his beliefs, fears, wants, abilities, and weaknesses.
Beliefs
The first soliloquy is delivered by Hamlet at the beginning of Act 1, Scene 2, where he ponders, "O that this too solid flesh would melt" (Shakespeare 1.2). Hamlet's beliefs are laid bare in this monologue, and it is made abundantly clear that he is religious as a result of his stance on suicide.
This monologue makes it abundantly clear that Hamlet is considering ending his life. He wishes for his body to disintegrate, which is another way of saying that he wants to pass away; however, he is aware that this action would be contrary to God's will, which is why he bemoans the fact that God "fixed His canon against self-slaughter" (Shakespeare 1.2). This assertion explains why he keeps thinking about God and heaven given that he has a strong faith in the existence of an all-powerful God and believes that God exists.
Hamlet believes in love. In the first soliloquy, he shows his love for his mother by making it clear that he would not even let the "winds of heaven Visit her face too roughly." This is one of how he expresses his love for his mother (Shakespeare 1.2). In addition, his compassionate nature shines through in the way that he mourns the loss of his father. As the first soliloquy comes to a close, we see that he is also a mature man; even though he is concerned about his mother marrying an evil man, he realises that he must show deportment and remain silent. In addition to this, he thinks that "humankind is noble in reason and infinite in faculties" (Shakespeare 2.2). "Sure, he that made us with such large discourse, Looking before and after, gave us not that capability and godlike reason, to fust in us unused," he muses in his monologue in Act 4 scene 4 of the play (Shakespeare 4.4). This incident gives the impression that he is a logical person. He deliberates before taking any action.
Fears
Hamlet is most concerned about the consequences that will result from him acting unethically. Even though he is aware of who was responsible for the death of his father, he does not give in to the temptation of taking unwarranted revenge. At one point, Hamlet discovers Claudius kneeling in prayer deeply engaged in the act. At this point, Hamlet is aware that Claudius was responsible for the death of his father, and as a result, he has every cause and capability to exact revenge. He draws his sword and is about to strike, but something prevents him from doing so. Fear of the repercussions of his acts brings clarity to his thoughts, and he begins to speculate about what could take place as a result. The thought crosses his mind, "Now might I do it pat, now he is praying, and now I'll do, and thus he gets to paradise, and so am I revenged... My father was murdered by a scoundrel, and as the only son he had, it is my responsibility to ensure that the murderer is punished in paradise (Shakespeare 3.3).
If Hamlet were to kill Claudius, it would, on the one hand, avenge the death of Hamlet's father, but on the other, it would bring glory to the evildoer. Hamlet, after much deliberation, concludes that "O, this is hire and salary, not revenge," because he realises that such an act would send Claudius to heaven (Shakespeare 3.3). Hamlet's rational self explains to him that killing Claudius at this time, when he is trying to rid himself of his guilt, would be pointless.
Hamlet never follows through with his plans, even though he delays his act of vengeance until perhaps a time when Claudius is under the influence of alcohol or asleep. This particular facet is a resounding demonstration of the fact that his primary concern is the damnation that follows in the wake of sin. Also, Hamlet fears mistakes.
Because he wants to be sure of what he does, he must investigate everything before he takes any action. This is because he wants to be sure of what he does. The dread of accidentally murdering Claudius without sufficient reason to believe that he murdered the Old Hamlet is what keeps Hamlet from acting in the scenario described in the previous paragraph.
What Hamlet wants
Hamlet's ultimate objective is to exact the right retribution. He is a believer in getting even, but he is also aware that taking unjustified retribution is a sin and that it will bring the wrath of God upon one's head. Unfortunately, Hamlet is unsure of how to carry out his justice in the most effective manner, and as a result, he turns to self-condemnation. He starts to question whether or not he is a coward.
He asks himself, "No, not for a king, Upon whose property and the dearest life, a damned defeat was made, am I a coward? Yet I, a dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, and can say nothing; no, not for a king, like John-a-dreams, unpregnant of my cause, and can say nothing (Shakespeare 2.2). Throughout this monologue, it becomes abundantly evident that all Hamlet wants is justice; the only problem is that he has no idea how to achieve it. It is pointed out to him that "Wounds, I should accept it: for it cannot be" (Shakespeare 2.2).
He tells himself that he ought to take control of the situation and get revenge for the death of his father because the perpetrator of the crime cannot be allowed to go on alive; doing so would be an act of injustice. He does not give up on his desire for revenge but instead devises a strategy to fulfil it more effectively. He decides to put on a play with a murder-related plot and invites his uncle to attend the performance. After that, he would watch the suspected killer of his father to see how he reacts after seeing a murder that was manufactured. He believes to himself, "I'll have these actors perform something like the murder of my father Before mine uncle, I'll examine his glances, I'll tent him to the quick, and if he merely blench, I know my route" (Shakespeare 2.2). Hamlet is just interested in one thing when it comes to the development of the narrative for this play, and that is getting his revenge in a way that is justifiable.
Talents
The ability to think critically is one of Hamlet's many strengths. In every one of his soliloquies, he investigates everything before taking action. He continues to investigate everything, even though the facts are staring him in the face. When he comes across Claudius kneeling and praying, he launches into a monologue to figure out two things. First, he investigates the possibility that Claudius is the one who murdered his father. Second, even if Claudius were the one who committed the murder, would it be worth it to kill him to cleanse his soul?
As Hamlet begins his soliloquy in Act 3, his ability to think analytically immediately becomes apparent to the audience. He mulls over the question, "Now could I do it pat?" (Shakespeare 3.3). If you were an average person who didn't have this talent, the question of whether or not you should kill Claudius would be when not if. Hamlet, however, makes use of his talent and decides to kill Claudius at a later time when he will likely be drinking or cursing. He will wait until this time comes before carrying out his plan. Hamlet, who is known for his analytical thinking skills, concludes that a person who passes away while purging their soul is instantly transported to heaven. On the other hand, if a person were to die while cursing, they would be damned to hell because "his soul may be as damn'd and black" at the time of their death (Shakespeare 3.3).
Flaws
If a character has a lot of different sides to them, as Hamlet does, it might be difficult to single out one of their faults, because something that seems like a virtue in one situation could be a defect in another. For example, Hamlet refrains from killing Claudius, which may be interpreted as a positive trait, but he goes on to murder Polonius, which can be interpreted as a negative trait. Indecisiveness and postponing important decisions are, nevertheless, Hamlet's most glaring character defects.
Through all of his soliloquies, he conveys a profound sense of hesitation and postponement due to the ever-self-analyzing manner in which he approaches problems. During the opening speech in Act 1 Scene 2, he realises that he is unable to advise his mother to abandon her wedding plans to Claudius. Although he spends the entirety of the speech bemoaning the fact that the marriage will not take place, he does not participate in the discussion. On the other hand, in his conclusion, he says, "With such dexterity to incestuous sheets!
My heart will be broken since I cannot speak out against it because it is neither beneficial nor capable of becoming such (Shakespeare 1.2). He shouldn't keep anything bottled up inside of him that will do him nothing but harm; he should speak up. As was said before in this article, Hamlet's ultimate goal is to exact retribution for the horrible murder of his father. As a result, everyone would anticipate him to accomplish this goal once a chance presents itself when he sees Claudius on his knees. When the opportunity presents itself, Hamlet, to the dismay of the audience, falls back on his tendency to overanalyze situations, and he thinks to himself, "And now I'll do, and so he goes to paradise" (Shakespeare 3.3). for more detail visit our site Essay Writing Services.
Event date & time: 03.07.2022 at 03:03
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